Somewhere dark inside. Peter McNaney, 2006.

Wooden panels, graphite, chalk and toy soldiers.

Circulation. Diana Koleva, 2006

Test tubes, glitter, wire, Bicycle wheel.

Urban Riot. Mike Wagner, 2006

Urban Riot boxed World Cup game, including football supporter and police figurines.

Know What is Real. Jenny Efstathiou, 2006

Computer generated placards, digital photography.

Fight Me. Kate Theodore, 2006.

Acrylic on canvas

Kill TB. Jessica Baldwin, 2006

Poster produced as part of a Tuberculosis awareness screening campaign.

Sand Snake. Sarah Goddard 2006

Glazed ceramic

Vanity. Triona Palmer, 2006.

Dressing table, Perspex, florescent light, picture frames, clock, digitally manipulated photographs.

Rabbit. Teresa Carpenter, 2006

Novelty birthday cake tin, acrylic resin, dead rabbit.

Monet's Houses of Parliament and the Thames. Diana Kolleva 2006

Plastic bags, PVA glue, canvas

World Anorexia Championship Belt. Jess Hammond 2006

Leather, brass, resin, diamante, gold chain, gold paint.

Figure. Nerida Dawkin 2006

Clay

Words and Memories. Peter McNaney 2006

Engraved stones, sea shells, lazertran in wooden tray.

Still from a movie. Lucia Gomez 2006

Glass, marble, plastic clothes pegs.

Campaign against female genital mutilation. Jenny Efstathiou 2006

2 from a set of 4 double sided flyers and poster.

Flea Circus. Kate Theodore, 2006

Acrylic paint on canvas. 50in x 38in

Smocked Spine Garment. Aniko Armstrong 2006

Back view and sketchbook work

The Tradition of Idealised Fantastical Landscapefrom Chinese Zen to Romantic Era Sublime. Karl Kraft. 2005

Mixed Media. 108in. x 60in. x 36in.

Poster for End of Year Show 2004-2005

Tell-tale. Caroline Ulribe. 2005

Acrylic, string and cotton on canvas and bamboo. 17in. x 12in.

Game Boy Cosy. Niki Bywater. 2005

Cross stitch on fabric. 6in. x 7in.

Perfect Woman. Tina Viljoen. 2004

Glass, laytex, resin, laboratory stand and shoes. 60in. x 10in. x 8in.

The Agony in the Garden. Nicholas Phillip. 2005.

Digitally manipulated images printed on cardboard box containing a D-I-Y wire amd metal sculpture.11in. x 16in. x 3in.

Chandelier. Mariko Hatorri. 2005

Metal rings and re-cycled drink cans. 17in x 9in.

Lemanga. Sophie Avgousti. 2005

Photograph of friend, digitally transformed into a 'Manga' character. One from a series of six.

Hotel. Mark Hadley. 2005

Ink and bleach on canvas. 11in. x 16in.

Knot. Finnula Campbell. 2005

Acrylic, chalk, charcoal and montage on paper. 96in. x 72in.

Thank You for Your Long and Strenuous Struggle with Coarse Cloth. Elizabeth Cake. 2005

Applique on fabric wall hanging. 48in. x 36in.

Tryptich. Lucy Crispin, 2005

Acrylic on canvas with sketchbook. 72 in. x 96 in.

Bowl, Phoebe Allen. 2005

Ceramic bowl and Lazertrran. 5in x 3 in.

Poster for the 2003-2004 End of Year Show

Yumi describes how she was inspired by the roof at the British Museum to create this drawing (+ detail of drawing). 2004

Charcoal, chalk and relief print on paper. 3 metres x 1.5 metres

Recipe Cards for Spiders. Sigita Zivoltaite, 2004

4 double sided recipie cards from a set of 10. Pen, ink, acrylic paint, metallic paint and collage. 21cm x 14.5cm each

'Access All Areas'. Group Exhibition. 2004

Paintings and sculptures exhibited as part of show at the New Gallery, Swiss Cottage, 2004.

Deadhead. Lucy Crispin. 2004

Acrylic paint on canvas. 250cm x 150cm

World in a Suitcase, Maki Kita, 2004

Suitcase, ceramic globe, luggage tag and passport stamps. 85cm x 50cm x 80cm.

Jenifer Bush. Fertility Goddess. 2004.

Silkscreen print, gold cord, wire and dyed tampons on canvas. 20 inches x 15 inches.

Victor Carlin. Bride of the Dead. 2004

Broken mirrors, lace, coloured string, feathers, wire and household taps. 72 inches x 35 inches x 30 inches

Hyun Young Kim. There Are Lots of Ways to Die. 2004.

Hand printed, stuffed fabric doll. 11 inches x 8 inches x 4 inches

Eleanor Beaumont. Body. 2003.

Starched muslin, light box. 65 inches x 40 inches x 20 inches.

Richie Foley. Icon. 2003

Papier mache, fairy lights and enamel paint on Volkswagen bonnet. 60 inches x 38 inches.

Emma Snow. You Can Have Your Kate and Eat It. 2003.

Milk chocolate, dark chocolate and white chocolate on canvas. 30 inches x 20 inches.

Adrian Parsons. Beauty Boy Make-Up Kit, 2002

Digitally manipulated images printed on cardboard box, containing customised make-up. 13 inches x 11 inches x 4 inches.

Access to Art & Design at The Working Men's College, London

The Working Men's College is the oldest college of general education in Britain and is, after The Royal Academy Schools and The Royal College of Art, the oldest arts college in Britain.

The Access to Art & Design course is for students who wish to make an application to a degree or other course of higher education in the field of art or design. The Access system is the recognised route for mature students who wish to go on to study art & design at university. This is a highly successful course with excellent results in terms of placing students on appropriate degree courses. The course offers a solid introduction to the basic skills and ideas, which inform art and design practice and goes on to introduce students to methods of dealing with the creative process. At the same time, the course encourages them to discover their individual abilities and direct them towards the particular area of art and design, which they wish to study. The course offers modules in Fine Art, Graphics, 3-Dimensional Design Art Hisory, Printmaking, and Fashion and Textile Design. It also caters for students who wish to study Illustration, Product Design, Printmaking and Photography.

The full time course lasts for one year (3 days per week for 30 weeks). A part time option is available for two evenings per week for two years.

This site represents a small selection of work from past and present students.If you require further information or wish to join the course, please contact Tony Jennings at:

email tonyj@wmcollege.ac.uk

mail The Working Men's College, 44 Crowndale Road, London NW1 1TR, UK

telephone 020 7255 4705